Rape of Europa

Rape of Europa
Artist Titian
Year 1560-1562
Medium Oil on canvas
Location Isabella Stewart Gardner Museum in Boston, MA
Dimensions 70.1 × 80.7 in
178 × 205 cm
Famous Paintings by Titian
Rape of Europa
Sacred and Profane Love
Pastoral Concert
The Assumption of the Virgin
Christ Carrying the Cross
The Flaying of Marsyas
Allegory of Prudence
The Worship of Venus
View Complete Works

Tiziano Vecillio was a high Italian renaissance painter born to a family of moderate means in 1488 and living in the Venice mountains. He received his tutelage through the workshop of Giovanni Bellini; the most prominent artist in 15th century Venice.

The Rape of Europa was painted by Tiziano Vecillio sometime during the period of 1559 to 1562 for the King of Spain Phillip II.  It was certainly one of the most jovial of his poetic works. The painting depicts a completely surprised Europa arms and legs flailing as she is carried away on Jupiter’s back as he is disguised as an ornamented white bull while a little chubby and nude boy riding the back of a dolphin appears to be mocking her. Meanwhile in the sky are cupids follow the happy scene. The clear blue sky combined with a stormy sky is the Venetian’s subtle hint of conflict taking place between the two lovers. Europa is portrayed as demure and resistant, weak with desire and frightened beneath a contrasting sky of opposites both calm and turbulent. Cupids one below and two above are transfixed as they watch the tension between Europa and Jupiter.

Tiziano, commonly known simply as Titian, used light to accentuate the dramatization and emotions of the painting, superbly depicting the Venetian’s skill in the use of light. Nymphs ambiguous on the far shore helplessly waive as they watch. Europa’s voluptuous and billowing flesh and the white bull’s tail seem to quiver excitedly at the forthcoming sexual contact.

The bull’s eye was painted by Titan to be unavoidably leering and impossible to avoid is the most painted eye of human or animal in Western art. It is spellbinding and dares the viewer not to stare back!

This awe inspiring work of art resides at the Isabella S. Gardner Museum in Boston, Massachusetts.

One response to “Rape of Europa”

  1. Bruce Sutherland says:

    According to a curator at the Prado, Miguel Falomir, the pose of Europa and the bull are based on a
    cameo showing Augustus Caesar riding sidesaddle on a Capricorn. This cameo might be located on Google Image by typing “Augustus, cameo, Capricorn”. It is the black and white photo of an oval-shaped cameo. According to Falomir, Titian changed the Capricorn into a bull, and changed Augustus into a young woman. Then all this is in reverse order since the Capricorn in the cameo is heading to the left.

    Ironically, by censoring the nipple you have made it more noticeable. A female student in an art class at Long Beach State complained of sexual harassment because a teacher showed a painting of a nude woman to the class. A whole book on the nude was written by Kenneth Clark. I guess we should ban the book. Americans complain too much.

Leave a Reply

Your email address will not be published. Required fields are marked *