Paintings by Leonardo da Vinci in Chronological Order
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| Annunciation, c. 1472 | Profile of a warrior in helmet, c. 1472 | Landscape drawing for Santa Maria della Neve, 1473 |
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| Woman’s Head, c. 1473 | Portrait of Ginevra Benci, c. 1474 | Study of hands, c. 1474 |
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| The Baptism of Christ, c. 1475 | Madonna with a Flower (Madonna Benois), c. 1478 | Study, c. 1478 |
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| Study for the Madonna with the Fruit Bowl, c. 1478 | Study of a child with a cat, c. 1478 | Study of the Madonna and Child with a Cat, c. 1478 |
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| Study sheet, 1478 | Study of the Hanged Bernardo di Bandino Baroncelli, assassin of Giuliano de Medici, 1479 | Annunciation, 1480 |
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| Automobile, c. 1480 | Lily, c. 1480 | St. Jerome, c. 1480 |
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| Studies of central plan buildings, 1480 | Study for the Adoration of the Magi, c. 1480 | Study of nursing Madonna and profile heads, c. 1480 |
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| The Adoration of the Magi, 1480 | The Madonna of the Carnation, c. 1480 | Crossbow Machine, c. 1481 |
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| Drawings of Water Lifting Devices, c. 1481 | Multi Barrel Gun, c. 1481 | Perspectival study of the Adoration of the Magi, c. 1481 |
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| Siege Defenses, c. 1481 | Design for a Giant Crossbow, 1482 | Head of a girl, c. 1483 |
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| Scythed Chariot, c. 1483 | Studies of a Bear Walking, c. 1484 | Designs for a Boat, c. 1485 |
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| Portrait of a Musician, 1485 | Self portrait Leonardo discovered a 2009 in Leonardo’s Codex on the Flight of Birds, c. 1485 | The anatomy of a foot, c. 1485 |
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| The Virgin of the Rocks, c. 1485 | An Artillery Park, 1487 | Cannon foundry, 1487 |
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| Flying machine, c. 1487 | Grotesque Profile, c. 1487/strong> | Design for a Flying Machine, 1488 |
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| Design for a Flying Machine, c. 1488 | Head of an Old Man, c. 1488 | Study of a central church, c. 1488 |
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| Study of the effect of light on a profile head (facsimile), c. 1488 | Comparison of scalp skin and onion, 1489 | One of Leonardo da Vinci’s designs for an Ornithopter, c. 1489 |
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| Studies of human skull, 1489 | A study for an equestrian monument, c. 1490 | Bust of a man in profile with measurements and notes, c. 1490 |
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| Five caricature heads, c. 1490 | Matched Couple, c. 1490 | Portrait of an Unknown Woman (La Belle Ferroniere), c. 1490 |
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| Study of a woman’s head, c. 1490 | Study of horses, c. 1490 | Study of proportion, c. 1490 |
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| The proportions of the head, c. 1490 | Madonna Litta (Madonna and the Child), c. 1490 | Coition of a Hemisected Man and Woman, c. 1492 |
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| Studies of the sexual act and male sexual organ, c. 1492 | Study of the Graduations of Shadows on Spheres, c. 1492 | The proportions of the human figure (The Vitruvian Man), 1492 |
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| Double manuscript page on the Sforza monument (Casting mold of the head and neck), c. 1493 | Manuscript page on the Sforza monument, c. 1493 | Study for the Last Supper, c. 1494 |
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| Study for the Last Supper, c. 1494 | Study of five grotesque heads, c. 1494 | Canal bridge, c. 1495 |
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| Head of Christ, c. 1495 | Heads of an old man and a youth, c. 1495 | Study for the Last Supper, c. 1495 |
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| Study for the Last Supper: James, c. 1495 | Study for the Last Supper: Judas, c. 1495 | The Last Supper, 1495 |
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| Study of an apostle’s head and architectural study, c. 1496 | The Lady with the Ermine (Cecilia Gallerani), 1496 | Profile of a man and study of two riders, c. 1497 |
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| The Virgin and Child with Saint Anne and Saint John the Baptist, c. 1499 | Birch copse, c. 1500 | Caricature, c. 1500 |
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| Caricature, c. 1500 | Design for a helicopter, c. 1500 | Design for a machine for grinding convex lenses, c. 1500 |
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| Design for a parabolic compass, c. 1500 | Design for an enormous crossbow, c. 1500 | Drawing of a botanical study, c. 1500 |
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| Drawing of a fancy dress costume, c. 1500 | Drawing of an equestrian monument, c. 1500 | Drawing of an flood, c. 1500 |
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| Drawing of drapery, c. 1500 | Drawing of lilies, for an Annunciation, c. 1500 | Drawing of locks on a river, c. 1500 |
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| Drawing of Salai, c. 1500 | Drawing of the comparative anatomy of the legs of a man and a dog, c. 1500 | Drawing of the Torso and the Arms, c. 1500 |
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| Drawings of a bird in flight, 1500 | Drawings of machines, c. 1500 | Isabella d’Este, 1500 |
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| Storm over a landscape, c. 1500 | Study of Christ for the Last Supper, c. 1500 | Topographical drawing of a river valley, c. 1500 |
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| Salvator Mundi, c. 1500 | Study for Madonna with the Yarnwinder, c. 1501 | Study for St. Anne, c. 1501 |
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| A Grotesque Head, c. 1502 | A plan of Imola, 1502 | Bird’s Eye View of a Landscape, c. 1502 |
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| Landscape near Pisa, c. 1502 | Galloping Rider and other figures, c. 1503 | Head of a Man, c. 1503 |
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| Rearing horse, c. 1503 | Study of horses for the Battle of Anghiari, c. 1503 | Study of St Anne, Mary and the Christ Child, c. 1503 |
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| Study of St. Anne, Mary, the Christ Child and the young St. John, c. 1503 | Battle of Anghiari, c. 1504 | Group of riders in the Battle of Anghiari, c. 1504 |
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| Mona Lisa, c. 1504 | Page from a notebook showing figures fighting on horseback and on foot, c. 1504 | Studies of Leda and a horse, c. 1504 |
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| Study of a rider, c. 1504 | Study of battles on horseback, c. 1504 | Study of battles on horseback and on foot, c. 1504 |
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| Anatomical studies, c. 1505 | Design for a Flying Machine, c. 1505 | Head of Leda, c. 1505 |
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| Old man with ivy wreath and lion’s head, c. 1505 | Profile of an old man, c. 1505 | Studies for the heads of two soldiers in ‘The Battle of Anghiari’, c. 1505 |
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| Study of David by Michelangelo, 1505 | Study of horses, c. 1505 | The anatomy of a male nude and a battle scene, c. 1505 |
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| The Virgin of the Rocks, c. 1505 | Stof Bethlehem and other plants, c. 1506 | Studies of legs of man and the leg of a horse, c. 1506 |
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| Study for the “Burlington House Cartoon”, c. 1507 | Drawing of the uterus of a pregnant cow, 1508 | Head of a Young Woman with Tousled Hair (Leda), c. 1508 |
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| Studies of Water passing Obstacles and falling, c. 1508 | Study of a child, c. 1508 | Anatomical studies of a male shoulder, c. 1509 |
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| A seated man, and studies and notes on the movement of water, c. 1510 | Anatomical studies (larynx and leg), 1510 | Anatomical studies of the shoulder, c. 1510 |
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| Head of Saint Anne, c. 1510 | Leda, c. 1510 | Madonna with the Yarnwinder, c. 1510 |
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| Seated old man, c. 1510 | Studies of water, c. 1510 | Study for Madonna and Child with St. Anne, c. 1510 |
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| Study for St. John in the Wilderness, c1510 | Study for the Trivulzio Equestrian Monument, c1510 | Study for the Trivulzio monument, c1510 |
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| The Virgin and Child with St. Anne, 1510 | Portrait of a Bearded Man, possibly a Self Portrait, c. 1513 | Studies of the foetus in the womb, c. 1513 |
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| Studies of the Villa Melzi and anatomical study, 1513 | Study of water, c. 1513 | Study sheet with cats, dragon and other animals, c. 1513 |
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| Study sheet with horses, c. 1513 | Anatomy of the Neck, 1515 | Bird’s eye view of sea coast, c. 1515 |
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| St. John the Baptist, c. 1515 | Allegory with wolf and eagle, c. 1516 | Deluge over a city, c. 1517 |
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| Equestrian monument, c. 1517 | Masquerader in the guise of a Prisoner, c. 1517 | Natural disaster, c. 1517 |
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| Equestrian Statue, c. 1519 | Caricature | Codex on the flight of birds |
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| Drapery for a seated figure | Drawing of a Woman’s Torso | Female Head |
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| Head of Christ | Head of St. Andrew | Head of St. James the Less |
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| Head of St. John the Evangelist | Head of St. Peter | Heads of Judas and Peter |
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| Heads of Sts Thomas and James the Greater | Heart and its Blood Vessels | Sedge |
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| Spring Device | Studies for a Nativity | Studies of crabs |
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| Studies of the Arm showing the Movements made by the Biceps | Study of a Figure for the Battle of Anghiari | Study of an Old Man |
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| Study of Arms and Hands | Study on the proportions of head and eyes | Various figure studies |
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| View of a Skull | View of a Skull (2) | Views of a Foetus in the Womb |
WHATS UP WITH ALL THE STUDYS OF LEGS AND ARMS AND TORSOS.
Tenuring capacity on art,science and technology …..extraordinary work!!!
this web site helps me to my history project……………………………………………………
I wonder if there is a connection with the backgrounds of the mona lisa and some of the modonna. They seem to have the same theme going on. I know some of the conspiracy with his paintings and some kind of dooms day theory.
I don’t understand the need to “black out” the body parts on the painting of Leda!! It ruins the whole painting. . . . even just to look at it on a website!!
leonardo, the best fresco artist in history…