Giovanni Battista Tiepolo (March 5, 1696 – March 27, 1770), a.k.a. Giambattista Tiepolo or Gianbattist, was an Italian printmaker and painter who resided in the Republic of Venice. He also worked in Spain and Germany and was a very prolific artist.
Giovanni Battista Tiepolo’s paintings in chronological order:
Paintings by Giovanni Battista Tiepolo
The Repudiation of Hagar, 1719 | Nude study in an academy, c.1720 | The Martyrdom of St. Bartholomew, 1722 |
The Rape of Europa, c.1722 | The Force of Eloquence, Bellerophon and Pegasus, c.1723 | Annunciation, 1725 |
Apollo and Marsyas, c.1725 | Alexander the Great and Campaspe in the Studio of Apelles, c.1726 | Rachel Hiding the Idols, 1728 |
The appearance of the angel before Sarah, 1728 | The appearance of the angels to Abraham, 1728 | The Judgment of Solomon, 1728 |
Hagar in the Wilderness, 1729 | Jacob”s Dream, 1729 | The Prophet Isaiah, 1729 |
The Sacrifice of Isaac, 1729 | Abraham and the Three Angels, c.1730 | Eteokles and Polyneikes, 1730 |
Hannibal looks at the head of Hasdrubal, c.1730 | Scipio and a Slave, 1731 | Hagar Assisted by the Angel, c.1732 |
Nativity, 1732 | The Education of the Virgin, 1732 | John the Baptist Preaching, 1733 |
The Beheading of John the Baptist, 1733 | The Triumph of Zephyr and Flora, 1735 | Jupiter and Danae, c.1736 |
The Holy Family Appearing in a Vision to St Gaetano, 1736 | Carrying the Cross, c.1738 | Pope St Clement Adoring the Trinity, 1738 |
King David Playing the Harp, 1739 | The Glory of St Dominic, 1739 | The Institution of the Rosary, 1739 |
The Virgin Appearing to St Dominic, 1739 | The Virgin Appearing to Dominican Saints, c.1740 | The Virgin Appearing to St Philip Neri, 1740 |
The Virgin with Six Saints, 1740 | The Gathering of Manna, 1742 | The Sacrifice of Melchizedek, 1742 |
Allegory of Strength and Wisdom, 1743 | Fortitude and Justice, 1743 | Maecenas Presenting the Liberal Arts to Emperor Augustus, 1743 |
Prudence, Sincerity and Temperance, 1743 | The Banquet of Cleopatra, 1744 | The Triumph of Flora, 1744 |
The Discovery of the True Cross and St. Helena, c.1745 | Worshippers, 1745 | Bellerophon on Pegasus, 1747 |
The Banquet of Cleopatra, 1747 | The Last Supper, 1747 | The Meeting of Anthony, 1747 |
Last Communion of St Lucy, 1748 | Apparition of the Virgin to St Simon Stock, 1749 | Apparition of the Virgin to St Simon Stock, 1749 |
Christ on the Road to Calvary, 1749 | Meeting of Marc Anthony and Cleopatra, 1749 | Christ on the Mount of Olives and the angel with the cup of suffering, c.1750 |
Crown of Thorns, c.1750 | Crucifixion, c.1750 | Neptune Offering Gifts to Venice, 1750 |
Portrait of the Procurator Dolfin, c.1750 | St James the Greater Conquering the Moors, 1750 | The Martyrdom of St Agatha, 1750 |
The reception of Henry III, 1750 | The Triumph of Fortitude and Sapiency, c.1750 | The Investiture of Herold as Duke of Franconia, 1751 |
The Marriage of online casino the Emperor Frederick Barbarossa to Beatrice of Burgundy, 1751 | Allegory of the Planets and Continents, 1752 | Adoration of the Magi, 1753 |
Apollo and the Continents, 1753 | Apollo leads Frederick Barbarossa Beatrix of Burgundy, 1573 | Europa, 1753 |
Rinaldo and Armida, 1753 | The Death of Hyacinthus, c.1753 | A Seated Man and a Girl with a Pitcher, c.1755 |
Rinaldo and Armida are surprised by Ubaldo and Carlo, 1755 | Rinaldo observed by Carlo and Ubaldo, 1755 | The Theological Virtues, c.1755 |
Achilles consoled by his mother, Thetis, 1757 | Angelica and Medorus accompanied by two peasants, 1757 | Angelica Carving Medoro”s Name on a Tree, 1757 |
Angelica, accompanied by a shepherd who cares Medorus with herbs, 1757 | Apollo and Diana, 1757 | Detail of Agamemnon, from Minerva Restraining Achilles from Killing Agamemnon, 1757 |
Detail of Dido, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido, 1757 | Eurybates and Talthybios Lead Briseis to Agamemmon, 1757 | Head of a Philosopher, 1757 |
Mercury, from Mercury Exhorting Aeneas to Leave Carthage, 1757 | Rinaldo Abandoning Armida, 1757 | The Sacrifice of Iphigenia, 1757 |
Venus asks Vulcan to forge an armor for Aeneas, 1757 | Venus”s Farewell to Aeneas, from the Room of the Aeneid in the Palazzina, 1757 | Allegory of Merit Accompanied by Nobility and Virtue, 1758 |
An Allegory with Venus and Time, 1758 | Saint Thecla Liberating the City of Este from the Plague, 1759 | St. Anne”s Vision, 1759 |
Girl with a Mandolin, c.1760 | Madonna of the Goldfinch, c.1760 | Rinaldo and Armida, 1760 |
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Rinaldo”s Departure from Armida, 1760 | The Death of Sophonisba, 1760 | Venetian Promenade, c.1760 |
Venus and Vulcan, 1760 | The Apotheosis of the Pisani Family, 1762 | The Apotheosis of the Spanish Monarchy, 1766 |
Venus and Vulcan, 1766 | The Immaculate Conception, 1768 | Abraham and the Three Angels |
Nativity of Jesus | Allegorical female figure with a club | Olymp |
Queen Zenobia before Emperor Aurelianus | Sacrifice of Iphigenia | Temptations of St Anthony |
The Apotheosis of Saint Roch | The Flight to Egypt | The Madonna of Carmel and the Souls of the Purgatory |
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