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	<title>
	Comments on: La Velata	</title>
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	<link>https://totallyhistory.com/la-velata/</link>
	<description>Facts About Famous Events &#38; Records of the Past</description>
	<lastBuildDate>Thu, 12 Sep 2013 01:47:43 +0000</lastBuildDate>
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		<title>
		By: sarat mohanty		</title>
		<link>https://totallyhistory.com/la-velata/#comment-44033</link>

		<dc:creator><![CDATA[sarat mohanty]]></dc:creator>
		<pubDate>Thu, 12 Sep 2013 01:47:43 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://totallyhistory.com/la-velata/#comment-43719&quot;&gt;Tess&lt;/a&gt;.

I AGREE,SHE IS NOT MONALISA. BUT IT SEEMS RAPHAEL PAINTED THE MONALISA PORTRAIT. RAPHAEL WHO INHERITED PAINTING TECHNIQUES FROM HIS FATHER HAD ALL THE ABILITIES TO DO SO. THE MONALISA PORTRAIT HAS MANY OTHER FEATURES BESIDES THE FIGURE OF MONALISA. IT HAS HIGHLY DENUDED ROCKY TERRRAIN, CASCADING STREAMS, A POND,  FLYING BIRDS,  A CROCODILE HEAD, A RESTIVE BIRD, DRAINGE CONDUITS AND ANOTHER BOY WITH A FOLDED HAND AND A PAPER LOG TOO. THESE BACKGROUND PAINTING STYLES ARE UNIQUE TO RAPHAEL. IN ALL HIS PAINTINGS HE USED BACKGROUND SCENERY. DID HE ACTUALLY PAINT MONALISA? HE WAS WORKING IN THE STUDIO OF LEONARDO DA VINCI WHO MIGHT HAVE COMMISSIONED HIM TO PAINT MONALISA.]]></description>
			<content:encoded><![CDATA[<p>In reply to Tess.</p>
<p>I AGREE,SHE IS NOT MONALISA. BUT IT SEEMS RAPHAEL PAINTED THE MONALISA PORTRAIT. RAPHAEL WHO INHERITED PAINTING TECHNIQUES FROM HIS FATHER HAD ALL THE ABILITIES TO DO SO. THE MONALISA PORTRAIT HAS MANY OTHER FEATURES BESIDES THE FIGURE OF MONALISA. IT HAS HIGHLY DENUDED ROCKY TERRRAIN, CASCADING STREAMS, A POND,  FLYING BIRDS,  A CROCODILE HEAD, A RESTIVE BIRD, DRAINGE CONDUITS AND ANOTHER BOY WITH A FOLDED HAND AND A PAPER LOG TOO. THESE BACKGROUND PAINTING STYLES ARE UNIQUE TO RAPHAEL. IN ALL HIS PAINTINGS HE USED BACKGROUND SCENERY. DID HE ACTUALLY PAINT MONALISA? HE WAS WORKING IN THE STUDIO OF LEONARDO DA VINCI WHO MIGHT HAVE COMMISSIONED HIM TO PAINT MONALISA.</p>
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		<title>
		By: Tess		</title>
		<link>https://totallyhistory.com/la-velata/#comment-43719</link>

		<dc:creator><![CDATA[Tess]]></dc:creator>
		<pubDate>Fri, 06 Sep 2013 01:23:13 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://totallyhistory.com/la-velata/#comment-43591&quot;&gt;sarat mohanty&lt;/a&gt;.

She&#039;s not the Mona Lisa. This woman was Margherita Luti, Raphael&#039;s Roman mistress. The Mona Lisa, was Lisa del Giocondo married to a wealthy Florentine silk merchant who was called Francesco del Giocondo. Lisa del Giocondo was a beautiful woman, whom Leonardo da Vinci&#039;s style was to paint people as he sees them, he didn&#039;t ignore people&#039;s flaws. He saw beautiful in ugliness.]]></description>
			<content:encoded><![CDATA[<p>In reply to sarat mohanty.</p>
<p>She&#8217;s not the Mona Lisa. This woman was Margherita Luti, Raphael&#8217;s Roman mistress. The Mona Lisa, was Lisa del Giocondo married to a wealthy Florentine silk merchant who was called Francesco del Giocondo. Lisa del Giocondo was a beautiful woman, whom Leonardo da Vinci&#8217;s style was to paint people as he sees them, he didn&#8217;t ignore people&#8217;s flaws. He saw beautiful in ugliness.</p>
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		<item>
		<title>
		By: sarat mohanty		</title>
		<link>https://totallyhistory.com/la-velata/#comment-43591</link>

		<dc:creator><![CDATA[sarat mohanty]]></dc:creator>
		<pubDate>Sun, 01 Sep 2013 16:08:18 +0000</pubDate>
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					<description><![CDATA[Isn&#039;t she monalisa? For vasari, the biographer, said monalisa was a beautiful lady. The lady in the present monalisa portrait does not seem beautiful. La Velata seems to be the right choice.]]></description>
			<content:encoded><![CDATA[<p>Isn&#8217;t she monalisa? For vasari, the biographer, said monalisa was a beautiful lady. The lady in the present monalisa portrait does not seem beautiful. La Velata seems to be the right choice.</p>
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