Francesco Hayez Paintings

Francesco Hayez (1791–1881) was an Italian painter and important contributor to the Romanticism art movement within Milan. His uncle took note of his affinity towards drawing at a young age and set him up to apprentice with an art restorer in Venice. Hayez embraced his art training and eventually got to study under the renowned artist, Francesco Maggiotto. He continued his studies and went on to have a successful career and reputation as a painter. Hayez was known for exploring historical and political subjects, Romanticism, Neoclassism, the Nazarene movement, as well as generalized portraiture.

Paintings by Francesco Hayez in Chronological Order:

     
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Family portrait, 1807 Aristoteles, 1811 Laocoon, 1812
Ulysses at the court of Alcinous, c.1815 Mercury Gives Paris the Apple of Discord, 1817 Thethys Immerses Achilles in the Waters of Styx, 1817
Wall Decoration (detail), 1817 Wall Decoration (detail), 1817 Portrait of Giuseppe Roberti, 1819
Portrait of Familie Stampa di Soncino, c.1822 Sicilian evenings painting series, Scene 1, c.1822 Portrait of Antoniet Vitali Sola, 1823
The last kiss of Romeo and Juliet, 1823 Carolina Zucchi (La Malata), 1825 Portrait of Conte Ninni, 1825
Self Portrait in a Group of Friends, c.1825 Portrait of Countess Luigia Douglas Scotti d’Adda, 1830 Portrait of Don Giulio Vigoni as a child, 1830
Portrait of Pompeo Marchesi, 1830 The Refugees of Parga, 1831 Portrait of Cristina di Belgiojoso Trivulzio, 1832
Portrait of a man, 1834 Portrait of Ferdinand I of Austria, 1840 The liberation from the prison of Vettor Pisani, 1840
Portrait of Alessandro Manzoni, 1841 Caterina Cornaro Deposed from the Throne of Cyprus, 1842 Melancholic Thoughts, 1842
Portrait of Felicina Caglio Perego di Cremnago, 1842 Portrait of Princess Di Sant ‘Antimo, c.1842 Crusaders Thirsting near Jerusalem, c.1843
Ephraim, c.1843 Meeting of Jacob and Esau, 1844 Sicilian evenings painting series, Scene 3, 1846
The seventh crusade against Jerusalem, c.1846 Portrait of Teresa Borri, c.1848 Portrait of Antoniet Tarsis Basilico, 1851
Portrait of Gian Giacomo Poldi Pezzoli, c.1851 Portrait of Matilde Juva Branca, 1851 Portrait of a Venetian woman, c.1852
Venetian women, 1853 Portrait of Antoniet Negroni Prati Morosini as child, 1858 The Kiss, 1859
Portrait of Conte Baglioni, c.1860 Portrait of Massimo d’Azeglio, 1860 Self Portrait, c.1861
Odalisque with Book, 1866 The new favorite (Harem scene), 1866 Destruction of the Temple of Jerusalem, 1867
Inside the Harem, 1867 Odalisque, 1867 The Death of Doge Marin Faliero (The last hour of the Doge Marin Faliero), 1867
Portrait of Gioacchino Rossini, 1870 Portrait of Antoniet Negroni Prati Morosini, 1872 Self Portrait, 1878
Self-Portrait, 1878 Count Camillo Cavour Samson Slays the Lion
The Two Foscari: Francesco Foscari, Doge of Venice and his family Valenza Gradenigo before the Inquisitor Vase of Flowers on the Window of a Harem
Woman from Ciociaria

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